From the point of view of literature aesthetics, the ontology is 'Yi' in Yun Yu Yang Qiu.

《韵语阳秋》文艺美学“意”本体定位有两个立足点：一，文艺作品内蕴之“意”相对于诸形式因素的本体性；

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Han Gong Qiu and Wu Tong Yu, radiant pearls in the Chinese classical tragedy history with its essence, adopt the nearly same artistic technique and reach a sorrowful artistic state.

《汉宫秋》和《梧桐雨》是中国古典悲剧史上的璀璨明珠，这两部作品凝聚着中国古典悲剧艺术的精华，采取几乎相同的艺术手法，营造了悲苦的艺术境界。

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