The “colour line”, as he called it, remained “the most tragic and persistent social problem” the country faced.
如他所言，那道“肤色分界线”仍是横亘在这个国家面前的“一个最可悲也最顽固的社会问题”。
The rich fatalistic colour in Hardys novel is called "Pessimistic Consciousness" or "Tragic Consciousness".
哈代小说中浓郁的宿命色彩被称做悲剧意识，或是悲观意识。
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