Neither tied to traditional oil painting skills, nor confined to popular themes, Gulistan seems to draw out of her own will without pursuing visual language symbols.

没有传统油画技法的束缚，没有流行题材的局限，亦没有视觉语言符号化的追求。

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The values and ideals that his paintings pursue are different from those of traditional oil painting. Instead, they approach closer to the aesthetic ideals of Chinese painting.

洪凌油画所追求的价值理想，已经与传统的油画不太一样，更多地走近了中国画的美学理想。

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Similarly, Li Songsong's approach to painting in many ways is less derived from traditional oil painting but instead from conceptual and new media theories of reproduction and representation.

也因此李松松的绘画手法，很多方面看来都和传统油画不同，而是受到「再制」和「再现」等概念，以及新媒体时代的理论所影响。

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