When we think of the tonal range, we usually think of black and white images and how the highlights and shadows work together.
在考虑色域时,我们常会想到黑白照片和亮部及阴影的相互作用。
Always before I had attempted the impossible-trying to get the full range of tones, looking for an Angle where the bright scene outside could somehow be compressed into the camera's tonal range.
在此之前我总是试图完成一个不可能的任务:找一个角度,将窗外明亮的景色纳入相机的色调范围中,从而展现从明到暗所有的色调。
Everybody wants to take perfect photographs: shots that have impeccable lighting, exquisite colour and spot-on, sharp images with the widest possible tonal range.
每个人都想拍出完美的照片:无可挑剔的光线,考究的颜色和构图,锐利的图像,尽可能最广泛的色域。
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