The second chapter focuses on the personal will of Wang Du, the tomb builder, embodied in the mural.
第二章从丧葬观念入手，探论了该墓的营建者王都的个人意愿在壁画中的体现。
The mural frescoes (mural painting in tomb chamber) is one of the important data for researching the ancient society's aesthetic consciousness, national spirit, burial custom.
墓室壁画是我们研究古代社会审美风尚、民族风貌、丧葬习俗的重要参考资料。
Chapter four is to summarize the Geshan type from old industrial buildings, tomb, stone seal, brick pagoda, temple mural, painting and so on;
第四章从这一时期建筑的遗存、砖雕壁画墓室、石刻、砖塔、寺观壁画、绘画中总结两宋时期隔扇的类型；
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