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The dark-toned cinematography, by Tom Stern, is as redolent of the past as old leather and walnut.
NEWYORKER: The Man in Charge
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Working with the cinematographer Tom Stern, Ross shoots in a style that I have come to despise.
NEWYORKER: Kids at Risk
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The pace is deliberate and the style is austere, with bleached color photography (by Tom Stern) that could almost pass for black-and-white, yet the feeling is intimate.
WSJ: Film Review