But somewhere from the 19th century onward, more artists began seeing happiness as meaningless, phony or, worst of all, boring, as we went from Wordsworth's Daffodils to Baudelaire's Flowers of Evil.
但从19世纪某个时间点开始,更多的艺术家开始认为幸福毫无意义,是虚假的,最糟糕的是有人认为它很无趣,就像我们从华兹华斯的《咏水仙》到波德莱尔的《恶之花》中读到的一样。
The daffodils are just beginning to come up.
那些水仙花刚开始破土发芽。
Meanwhile, Molly walked into Bridget's room holding a bouquet of daffodils. Seeing the empty bed, she turned to her mother's roommate.
与此同时, 茉莉拿了一束水仙花去了病房, 看到床上空的, 就问同室的病友:"做手术还没回来吗."
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