But somewhere from the 19th century onward, more artists began seeing happiness as meaningless, phony or, worst of all, boring, as we went from Wordsworth's Daffodils to Baudelaire's Flowers of Evil.
但从19世纪某个时间点开始,更多的艺术家开始认为幸福毫无意义,是虚假的,最糟糕的是有人认为它很无趣,就像我们从华兹华斯的《咏水仙》到波德莱尔的《恶之花》中读到的一样。
The daffodils are just beginning to come up.
那些水仙花刚开始破土发芽。
So every daffodils you have seen in your life is yellow then you are going to assume that the next daffodils you see will be yellow.
所以你看到的每一朵水仙花都是黄色的,然后你就认为,下一朵要见到的水仙花也是黄色的。
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