After Ms. Schow raised the issue of divorce and was throwingclothes in a suitcase, she told her husband she wanted out because she felt trapped in the marriage and her own misery.
Yet the third go-round conventionalizes its hero by throwing him into repetitive struggles with his dark side. (Clothes and the man make each other here, since the black symbiotic substance that's responsible for his darkness and alarming arrogance turns his costume from red and blue to jet black.) And the script traps him and M.