They believe this characterizes a technique of painting that USES a glaze, or very thin layer, to build up shadows in the face.
他们认为这是使用釉料或者很薄的涂层来绘制脸部明暗这个艺术技巧的特征。
By applying many thin coats of this adapted glaze, he achieved the smoky shadowing he became famous for.
通过使用多次调整过的薄釉层,达芬奇获得了这种让他闻名于世的朦胧阴影效果。
Then da Vinci applied up to 30 incredibly thin strokes of glaze above the flesh tone—many just a few micrometres thick.
接着使用非常薄的釉料刷在基本色调上,最多可达30次,许多釉料层只有几微米厚。
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