希区柯克的《伸冤记》(The Wrong Man)是这种叙事母题中最彰显者。 《伸冤记》 整个情节及结构都以「双为主:两桩入狱,两次笔迹试验,两次厨房对话,两次审讯,两次...
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...事其实在任何时间和任何社会都会发生,在电影史上已经有一些电影是他这部电影的回音,比如希区柯克的《申冤记》(The wrong man);他想要讨论的是分离、孤立,他强调如回顾一下历史就会发现,国家消失,文化依旧存在;他认为如果要定义这部电影的文化背景,是...
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The wrong man had been punished.
罚错了人。
Your animus toward him suggests that you are the wrong man for the job.
你对他的敌意说明你不适合这份工作。
你爱上了一个不该爱的男人。
And the king would take pleasure in watching the series of events, which would judge whether or not the man had done wrong in loving the princess.
VOA: special.2009.04.18
It's because man alone has the faculty of speech and the ability to distinguish good from bad,and right from wrong.
这是因为人类有演讲的才能,也有能力,明辨是非,分辨正误
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