Tragedy hides in the new realistic fiction, being objectively influenced by traditional Chinese culture and subjectively linked with the dual change in the identity of the author.

悲剧隐匿于新现实主义小说，客观上受中国传统文化的影响，主观上则与作家身份的双重变化相通。

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Compared with the traditional Chinese Utopian novels, the next time there is a clear tendency of the novel, it is a new form of fiction.

与中国传统的乌托邦小说相比，未来小说有明确的时间倾向，所以是一种新形式的小说。

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Bai Xianyong's particular personal life experience, his sentimental character and the Chinese traditional literary aesthetic views imbue his fiction creations with dense sentimentalism.

白先勇独特的人生经历、情感特征和中国传统文学美学思想的影响，使其小说创作充满了浓重的感伤主义色彩。

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