When sounds follow each other in a pattern of melody, we receive an impression of movement from one tone to the next.
当声音以旋律的模式相伴时，我们会感受到从一种音调到另一种音调的动感。
This thesis will explain the importance of harmonic in prelude through the analysis the structure, melody characteristics, rhythm, and non-harmonic tone of these 26 preludes.
本文将针对26首前奏曲，从对其结构形式、旋律特点、节奏、和弦外音等方面的分析入手，来进一步了解前奏曲中和声色彩的丰富性。
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