悲剧的超越 Tragedy is not Enough 悲剧的理念 The Idea of Tragedy 德国悲剧的起源 Ursprung des deutschen Trauerspiels ; The Origin of German Tragic Drama ..
基于1个网页-相关网页
Lu Xun and Nietzsche, whose starting point of life aesthetics was the sense of going to doom, had much in agreements and also in conflicts on the idea of tragedy.
鲁迅尼采的悲剧观存在着深刻的契合与冲突，他们生命美学的起点是生存毁灭感，并在苦痛人生的悲歌中，共同表现出对生命之“动”的强烈眷注。
参考来源 - 鲁迅尼采悲剧观比较论·2,447,543篇论文数据，部分数据来源于NoteExpress
"They simply had no idea of the scale of the tragedy," said a police spokesman.
一名警方发言人说道，“他们只是没有想到这场悲剧到底有多严重”。
Man alive is a tragedy, and the root of the tragedy is that people have the idea.
人活着是一出悲剧，而悲剧的根源是人拥有思想。
The fusion of these outside and inside factors shapes their tragedy idea that has their own unique national culture background as well as high convergence.
这些表里因素的融合，铸就了两人既有独特民族文化背景，又有明显趋同性的悲剧观念。
应用推荐