This standard of judgment also appears in The Brown Decades (1931) when he deals with the Modernist architecture and the Brooklyn Bridge where aesthetics and material come together.
这种评价标准，他同样在《棕色的年代》里用来评价现代建筑和布鲁克林大桥，他认为那才是审美和物质走到了一起。
Geonosian aesthetics and architecture were based on the immense termite mounds found in Africa, infused with Gothic and art nouveau sensibilities by the art Department.
吉奥诺·西斯人的审美和建筑风格基于非洲巨大的白蚁丘，艺术部门也添加了一些歌特及新艺术的风格的细节。
This topic that try hard to link the Architecture Language and the aesthetics is the second abstract theory bedrocks that impenetrate in the whole thesis.
该议题致力于将建筑语言与美学连姻，是贯穿论文始终的抽象理论基础之二。
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