One is reminded here of Camus' Sysiphus as a proto—contemporary artist – and his aimless, senseless activity as a prototype of the contemporary time—based art.
这使我们想到了加缪笔下作为一个原初当代艺术家的西绪福斯，以及他作为一种当代的、以时间为基础的艺术的原型的无目的无意义的活动。
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