This paper tries to take French suspense master Francois Truffaut's suspense films as examples to explore the distinctive characteristics in suspense films of French style.
本文尝试以法国悬疑大师乔治。克鲁佐的悬疑电影为例，探究法式悬疑片所呈现出来的与众不同的特质。
Hitchcock also leaned toward the use of suspense over surprise in his films.
希区柯克还俯身对暂不使用的惊喜在他的电影。
The essay is mainly about the reason why the suspense is often set in the films and teleplays and how the works arrange it with the prime example of movie PSYCHO directed by Alfred Hitchcock.
本文首先阐述影视作品中设定悬念的理由以及产生悬念的三种情况，接着浅析电影剧作中组织悬念故事的一些技巧与方法，主要以电影《惊魂记》、《伤城》为例。
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