并不能纳入那种西方思想占据主导地位“主客二分”（subject-object dichotomy）模式！因为他们（哲人与艺术家）已经克服了“对象化”的思维模式，26就是说，上述关系的双方，从审美理论上说，既不能借助于亚里...
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“Conclusion”shows that the shift from subject-object dichotomy to the oneness of subject and object is implied by the transition from humanism to post-humanism in the history of ideas.
结论部分论证了从主客二分到主客一体的转变是西方思想史上由人文主义到后人文主义的转折所引出的。
参考来源 - 摧毁：一种后现代文学阐释·2,447,543篇论文数据，部分数据来源于NoteExpress
On philosophical, abstract ink is beyond subject-object dichotomy, beyond time and space.
就哲学层面而言，抽象水墨是超越主客二分的，超越时间与空间的。
The presupposition of Weber's rationality is subject-object dichotomy, while the presupposition of Habermas' rationality intersubjective.
韦伯的合理性之预设是人神对立、主客对立，哈贝马斯的合理性之预设是交互主体；
It discloses the exhaustion or spatialization of western literary creation and criticism and challenges the dominant subject-object dichotomy which is typical of western epistemology.
它揭示了西方文学创作与文学批评的“枯竭”或“空间化”，并向代表着西方认识论的支配性主客二分思想提出挑战。
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