Through the 1950s and '60's, the daily grind of live studio broadcasting still dominated the orchestra's schedule, and there was little time in its schedule for public performances.

通过20世纪50年代和60“，每天的生活演播室广播磨仍然占主导地位的乐团的时间表，并有一点时间，在其日程安排公开演出。”

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MacKay first observed this effect on the wallboard of a BBC studio: the broadcasting staff had been annoyed by illusory shadows running up and down blank strips between columns of parallel lines.

麦凯是在BBC的一个录音室里第一次看到这个效果的：那位正在播音的职员被平行线柱上线条空白间上下跳动的阴影错觉搞得很不耐烦。

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As one of the BBC's many ensembles, the orchestra led a busy though sheltered life, broadcasting live at least five times a week from its studio and only occasionally allowed out.

作为英国广播公司的许多合奏之一，乐团领导庇护的生活虽然繁忙的广播直播每周至少五次工作室，只是偶尔让出。

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The logical next step was to cut out the man or woman in the broadcasting studio.

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Harrison broke into a TV studio, which was broadcasting the performance of a troupe of dancing ballerinas.

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