Relativization of simultaneity, the most puzzling to the human being, is a core of space-time view of relativity.
同时性的相对性是相对论时空观的核心，也是使人最感迷惑之处。
The Subjective space-time View regarded time and space as a person's inherent in the form of innate knowledge, abandoned the objective nature of space-time.
主体时空观把时空视为人的先天固有的认识形式，丢弃了时空的客观本性。
Therefore, we can provide a new perspective and some theoretical references on the extension of contemporary Film Aesthetics and the research on space-time view of human beings in digital age.
从而，为数字时代电影美学意义的延伸及人类影像时空观的研究，提供一个全新的视角和一些理论上的参考。
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