Singing and accompaniment in drama music supplement and complement each other and they make up the main body of drama music.
戏曲音乐中的唱腔与伴奏，彼此相辅相成，相得益彰，既对立又统一地构成了戏曲音乐的主体。
Donizetti carefully woven melodic lines, twists and turns to euphemism, expressive and singing, Orchestration in the accompaniment of music at the same time the pursuit of wealth effect.
多尼采蒂精心地编织旋律线条，使其委婉曲折，富于表现力和歌唱性，同时在伴奏音乐的配器上追求丰富的效果。
It can be used for solo or ensemble singing, dance accompaniment.
它可以用于独奏、合奏或为歌唱、舞蹈伴奏。
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