Hegel s tragic view is a purposeful fatalism, which has been criticized by Cherlishifski.
黑格尔的悲剧观是一种有目的的宿命论。
And the rejection of this motif or this idea in Genesis 1 is pointed and purposeful. It's demythologization.
但《创世纪》第一章中对此模式或观点的否定,是明显且有目的的,它是一种去传奇化的叙述。
It's pointed and purposeful.
它是目的明确的。
So that's Kant's famous distinction between the purposive, which is the organization of an aesthetic object, and the purposeful, which is the organization of any object insofar as it goes to work in the world or for us.
所以康德的著名理论,关于区分美学意义上的“合目的性“,和存在意义上,服务于我们的“目的性“
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