第三种为圆整人物（Round Character），琼瑶是个聪明人。这种审美习惯在电视剧中表现得就更加明显，中国人的叙事传统中更突出的是对类型人物的描写，在高度紧张的工作...
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Then, this part gives such a conclusion that Christ is the center role, and its characterization is the richest so that the Christ can be called a“round character”. By contrast the characterization of the evil is very simple.
指出基督是《启示录》中的核心人物,书中对其刻画得较为深刻、丰满,可以用为人熟悉的“圆形人物”这一概念来概括;而对邪恶势力的刻画则较为简单,具有类型化特征。
参考来源 - 《启示录》叙事艺术初探This thesis asserts the great achievement of flat characters and their non-comic function. Because of the complement of flat and round character, A Passage to India becomes a great novel expressing the truth of life.
本文对扁型人物的非喜剧功能与巨大成就做了肯定判断,并得出结论,正是有了扁型人物和圆型人物的互相衬托,《印度之旅》才表现出了人生的复杂真相。
参考来源 - 爱·摩·福斯特的人物理论在《印度之旅》中的运用·2,447,543篇论文数据，部分数据来源于NoteExpress
The flat character is introduced solely for the purpose of allowing the round character to show off.
引入扁平字符仅是为了突出圆形字符。
A round character is fully developed; a flat character isn't, character development is fairly limited.
圆润的性格得到充分发展；扁平化的角色不是，角色的发展是相当有限的。
Foster's expatiation on "Flat Character" and "Round Character" could analyze the formation of the images.
福斯特关于“扁平人物”、“圆形人物”的阐述可以解析这类形象的形成。
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