Robert Morris's walk-in "Labyrinth" and 25-by-33-foot "Aluminum I-Beams Construction" and a floor piece by Carl Andre also fit handily, as does Claes Oldenburg's Brobdingnagian, brilliant-red "Knife Ship, " its motorized oars rowing and its knife blades rising and lowering at the gallery's far end.
Not violent, sexy, or especially titillating, but strongly indicative of a rising confidence level and improving security situation among a people who have lived far too long with a knife at their throats.