于是他就来到了一个野兽王国 ... 弗莱德?美拉美德 Fred Melwoulmed 理查德?坎德 Richard Kind 艾伦?沃尔夫 Aaron Wolf ...
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Think of Richard Dreyfuss flinging plants through the window in “Close Encounters of the Third Kind”, Frances O’Connor abandoning her adopted robot son by the roadside in “A.I.
想想在影片《第三类接触》中理查德•德莱弗斯将花草从窗户中抛出的场景; 《人工智能》一片中弗朗西斯 奥康纳将她收养的机器人儿子遗弃到路边的画面;
It kind of brings us to the end of Richard Strauss, our discussion of Richard Strauss.
我们对理查·施特劳斯的探讨,将由这首乐曲画上句号。
A common risk with this kind of book is that the author comes across as overly smug and superior; just look at how the duke of debunkers, Richard Dawkins, is sometimes perceived, even by his fans.
这类书籍的常见风险是,作者看上去好像过于自以为是和过于哗众取宠;只要看看揭露真面目者的公爵理查德•道金斯(Richard Dawkins)有时给人的感觉就明白了,甚至连他的粉丝也有这种感觉。
Well, there is another element, though, to the kind of language that Richard is describing learning, and that is the racial element.
至于理查学习控制语言的另一个因素,种族因素,也是理查被迫去。
For Richard, he is mostly this kind of presence: a cavailing, angry, abusive presence.
理查认为父亲:,总是那么轻易动怒。
It kind of brings us to the end of Richard Strauss, our discussion of Richard Strauss.
我们对理查·施特劳斯的探讨,将由这首乐曲画上句号
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