因此,构成一幅抽象绘画必须具备下列两个条件:第一,绘画中不含有可辩识的形象(recognizable forms),其形象为康定斯基说的“无可名之形”,而非自然或现实的“相对物”( counterparts in nature or reality)。
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Scale is irrelevant in the utopian dreamworld where misplaced objects dominate the skyline and recognizable forms bear not relation to their original functions.
尺度在这个乌托邦式的梦想世界里变得无关紧要,乱置的物件主宰着天际线,可识别的形体不再遵循其原来的功能。
Typical forms of the two are different and easily recognizable .
二者的模式标本是不同的并易于辨认。
Typical forms of the two are different and easily recognizable.
二者的模式标本是不同的并易于辨认。
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