You actually see this near the top of the handout, the allusion from the Faerie Queene.
事实上你们可以在讲义的顶部看到,《仙后》的暗喻。
Edmund Spenser in The Faerie Queene does not bring Sir Guyon with his palmer through the cave of Mammon.
在《仙后》中,埃蒙德·斯潘塞并没有让盖恩爵士带着他的朝圣者穿越贪婪之神的洞穴。
The Faerie Queene can be said the first great poetic celebration in English of the institution of marriage.
《仙后》可以说是英国第一部关于婚姻制度的伟大诗歌庆典。
Milton seems to have dug around rather carefully in his copy of the Faerie Queene, and he's come up with this illusion.
弥尔顿似乎极其小心地模仿着《仙后》,且他出现了这样一种幻想。
In this respect it would resemble Spenser's Faerie Queene, or perhaps more importantly, Virgil's Aeneid -- other nationalist epics.
这样的话它就会与斯宾塞的《仙后》,更重要的,维吉尔的《埃涅阿斯记》等一些民族主义史诗相类似。
Edmund Spenser in the Faerie Queene does not bring Sir Guyon with his palmer through the cave of Mammon.
埃蒙德·斯潘塞在《仙后》中并没有让盖恩,带着朝圣者穿越贪婪之神的洞穴。
应用推荐