This article aims at bringing Confucianism and Buddhism together for a dialogue via the idea of Pure Vitality as a thought-bridge.
本文试图探讨以纯粹力动一理念作为思想之桥梁，以沟通儒家与佛教两大思想体系的可能性。
Primitive rock with pure beauty, rich vitality displayed the artistic charm of unify in nature and harmony.
原始岩画具有单纯之美、富有生命力，表现了自然与和谐理念的艺术魅力。
The third movement: pure art creation—vitality found the destination, deformed figures returned to expressing paintings, many human natures are expressed completely.
第三乐章纯艺术的创作——生命力在这里找到了归宿，变形的人物回到表现绘画里，很多人性问题体现得淋漓尽致。
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