瑞恰兹将诗歌称为伪陈述(Pseudo-statement),因为它涉及到的诗人的感情和态度,而没有具体的指称客体。虽称其为伪,却带有诗的真实,承担了重组人们心灵的重任。
基于92个网页-相关网页
Even more dangerously, from the standpoint of anybody who likes poetry, he talks instead of "statement," meaning science, and "pseudo-statement," meaning poetry.
更危险的是,在任何一个热爱诗歌的人看来,他转用“陈述“指代科学,用“伪陈述“指代诗歌。
Once we sort of settle into this vocabulary, and once we get used to this clearly unquestioningly scientific perspective, why on earth do we need pseudo-statement or fiction at all?
一旦我们习惯了这种用语,一旦我们习惯了,这种科学视角,我们为什么还需要伪陈述和虚构呢?
Even more dangerously, from the standpoint of anybody who likes poetry, he talks instead of "statement," meaning science, and "pseudo-statement," meaning poetry.
更危险的是,在任何一个热爱诗歌的人看来,他转用“陈述“指代科学,用“伪陈述“指代诗歌。
Once we sort of settle into this vocabulary, and once we get used to this clearly unquestioningly scientific perspective, why on earth do we need pseudo-statement or fiction at all?
一旦我们习惯了这种用语,一旦我们习惯了,这种科学视角,我们为什么还需要伪陈述和虚构呢?
You are really out on a limb - if you're going to defend poetry--as Richards kept doing-- as "pseudo-statement," but of course pseudo-statement" is just another expression for what he calls here "fiction."
你会陷入孤立无援的境地,如果你像,Richards一样-,说诗歌是“伪陈述“,当然,这里“伪陈述“只是,“虚构“的另一种说法“
应用推荐