This paper explores and researches macro processing technique of polyphonic texture mainly from history, technical characteristics and the relation to micro processing.
本文主要从历史形成、技术特征以及与微观处理的关系,这三个方面对复调织体的宏观处理技术进行探讨与研究。
参考来源 - 二十世纪复调织体的宏观处理·2,447,543篇论文数据,部分数据来源于NoteExpress
So listen to a good example of non-imitative texture, polyphonic texture.
好好听这个,非模仿式织体,复音织体。
Solo and tutti themes are subtly interwoven and the polyphonic texture is transparent.
独奏和乐队部分交融在一起,复调织体却又十分透明。
Let's listen to the end of the polyphonic texture, then Beethoven, and we'll stop with this.
我们来听完这段复音织体,贝多芬,我们多说一点。
We simplify it by saying this: that there are three fundamental textures: monophonic texture, homophonic texture, and polyphonic texture.
简而言之,有三种基本织体,单音织体,主音织体和复音织体
But the idea that they're all kind of independent, points out once again that they are playing polyphonic texture.
但它们基本上相互独立这一点,再一次证明,这是一个复音织体
Now we're going to turn--focus a bit more on polyphonic texture because there are two types of polyphonic texture.
现在我们要把注意力,放到复音织体上,因为有两种复音织体
应用推荐