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He was an evangel for photography, insisting that it be recognized as an art, and so he crowed that "The Metropolitan Museum has opened its sacred halls to Photography" when the museum accepted his gift of 22 photographs in 1928.
WSJ: Swimming Pool, Stieglitz and Color
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Having grown up when photography was just being recognized as an art form, the French-born Cartier-Bresson was perhaps being an aesthetic contrarian, the anti-Stieglitz and un-Steichen, resisting the soft-focus tradition of those photographers that often conferred a romantic mist on their subjects.
FORBES: Henri Cartier-Bresson: Aesthetic Contrarian
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The Getty is betting that in the years since then, commercial photography has become firmly enough established as an art form that such arguments won't carry the same power.
WSJ: Herb Ritts at the Getty: Capturing the Soul of Fashion