伊格尔顿看诗歌为一种言语的景象学（phenomenology of language），其意义正在于意义展现的整个过程，它极其顽固地反抗和拒尽自己似乎其它物品一样被消费，志愿我们费力与之回旋，如T.S.
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That's the traditional view, not very regulationary, but it goes against ordinary language, and fancifies the phenomenology and the whole structure of what we mean when we talk about love.
这是传统的看法，不是规定的，但它和普通的语言相悖,并且空想了现象学和整个,我们讨论的爱的框架结构。
Wittgenstein's attempt to prove the impossibility of the private language could not deal a deadly blow to Husserls Phenomenology of the Awareness.
维特根斯坦对私人语言不可能的论证尝试并不能构成所谓对胡塞尔意识现象学的严厉打击。
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