Impressionist painters tended to apply paint really thickly, and in big brush strokes, so the texture of the canvas was rough.

印象派画家倾向于把颜料涂得很厚重，而且喜欢用笔触很粗的画笔，所以画布的纹理很粗糙。

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Early 20th-century European painters wanted viewers to recognize that they were looking at lines and color on a canvas rather than at a reproduction of the natural world.

20世纪初的欧洲画家希望赏画人注意画布上的线条与色彩，而不是将作品视为对自然实物的复制。

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It not only solidified to form on the canvas, but also influences painters' choice of objects for performing and their treatment to subject in the forms of mentality and attitudes.

它不仅在画布上固化为形态，也以心态和观念的方式影响着画家表现对象的选择和题材处理。

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The view that four different painters worked on the canvas is, he says, consistent with the view of some art historians that Perugino's apprentices did much of the work, although there is no clear consensus among art historians.

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Through the mastery of double negatives, dodging and burning, and other darkroom deceits, talented photographers including Wanda Wulz and Bill Brandt (whose work is the subject of an upcoming MoMA retrospective) made the medium as unreliably personal as the most fantastical painters had ever achieved on canvas.

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This was the canvas with which Tom Keating on Painters debuted in 1982.

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