Keller had left me to dress, and I could hear the faint sounds of the TV downstairs, so it was safe to assume that he was watching. Both my parents worked nine till five and on weekends, they both stayed out till five working overtime, and Dante was pissed at me, so therefore who knows where. Just me and Keller in the house. I panicked when I thought of it that way, but managed to calm myself enough to get dressed like normal, into skinny jeans and a large men's top – I wasn't sure if it was Keller's or Dante's.
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Dante: : Zip it, or I'll Pierce that big nose.
但丁:住口,或者你不想再要谁可笑的大鼻子。
Dante: Zip it or I'll Pierce that big nose.
但丁:住口,或者你不想再要那个可笑的大鼻子。
Dante: : Get to the point. Or do you wanna keep on dancing?
但丁:说重点!或者你想一直这样不停地跳舞。
Homer and Virgil and, well after them, Dante and innumerable others have all applied the simile of the leaves or some version of it to describe the numberless-ness of the dead.
荷马,维吉尔,在他们之后还有但丁,以及无法计数的曾经用过这个落叶比喻,或者变种版本来形容死者的数量极多的其他诗人们。
in his great depiction of hell in Books One and Two) to avoid the standard epic scenes of the torture of the damned, for example, with which we're familiar if we've read Homer or Virgil or, of course, Dante much later.
在他第一和第二册书对地狱的精彩描述),去避免提及传统史诗中关于恶者被折磨的场景,例如我们所熟悉的那些场景,如果我们读过荷马的,维吉尔的,当然还有但丁的作品。
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