"Performing art language" concepts should replace "stereotyping" concepts in studies of local operas.

应以“舞台艺术语言”的概念取代地方戏研究中“程序”的概念。

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Similarly, in the field of Chinese opera studies, western theories have been regarded as the only universal criteria to judge and evaluate the local operas in China.

同样，在戏曲研究中，西方的理论也时常被当作具有普世意义的绝对标准，并以此来衡量、要求中国本土的事物。

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The problem is that although opera studies have to borrow western ideas and research methods, the local operas themselves cannot be entirely measured up to western theories.

问题在于，戏曲研究虽无法不借重西方学术的一些观念和方法，但戏曲艺术本身却又与西方的戏剧理论不尽吻合。

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