It also provides Milton with the figure of Mammon who will, as you will see over the course of this semester become - well, here in Paradise Lost he's one of the key fallen angels in Milton's hell.
它也为弥尔顿提供了贪欲之神这一形象,正如在本学期这一门课中你们将始终看到的,贪欲之神,在《失乐园》中会变成,弥尔顿地狱中主要的堕落天使之一。
Think of each one as paradise in a photograph.
照片上的每一处都可视为天堂乐土。
In paradise, my Lord, one doesn't do anything.
我的主人,在天堂里,人们什么都不用做。
But one of Milton's projects in Paradise Lost is to effect his forgetting of all of his literary precursors.
但是弥尔顿在《失乐园》中的一个计划是,让自己忘记所有文学前辈。
Hartman's absolutely right to insist that no theological concept is as important to Paradise Lost as free will on the one hand and divine providence on the other.
哈特曼有绝对的权利坚持说任何神学的概念,在中的意义都不足与匹敌自由意志的重要性,也不足以和神圣的天命相比。
This is one of the primary strategies that Milton develops, especially in the first two books of Paradise Lost, as a kind of defense against his dependence on classical literature.
这是弥尔顿发展出的早期策略之一,尤其是在《失乐园》的前两册书中,这似乎是在反驳他对古典文学的依赖。
应用推荐