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neorealism
英 [ˌniːəʊˈrɪəlɪzəm] 美 [ˌniːoʊˈriːəlˌɪzəm]

  • n. 新现实主义；新实在论

网络释义专业释义英英释义

  新写实

新写实

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  新现实主义

新现实主义

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短语

neo-realism 新实在论 ; 新写实 ; 新现实主义 ; 新写实主义

American neo-realism 美国新现实主义

novels of neo-realism 新现实主义小说

argument of neo-realism 新写实主义论争

American neo-realism novel 美国新现实主义小说

On Existentialism of Neo-realism Literature 新写实之存在论

 更多收起网络短语
  • 新现实主义 - 引用次数：9

    参考来源 - 瞿秋白的文艺思想与文化领导权
  • 新实在论[亦作 neo-realism, 亦称作 new realism]
  • 新写实主义

·2,447,543篇论文数据，部分数据来源于NoteExpress

Neorealism

  • abstract: In art, neorealism was established by the ex-Camden Town Group painters Charles Ginner and Harold Gilman at the beginning of World War I. They set out to explore the spirit of their age through the shapes and colours of daily life.

以上来源于: WordNet

 柯林斯英汉双解大词典 

neorealism /ˌniːəʊˈriːəlɪzəm/

  • 1. 

    N a movement to depict directly the poor in society: originating in postwar Italy 新现实主义; 直接描述社会中穷人的趋势，起源于战后的意大利 [films]

双语例句权威例句

  • As the cradle of Neo-realism, the focus of Italian movies is on the realistic descriptions and the expressions of feelings.

    作为新现实主义电影的摇篮，意大利电影更注重影片的写实风格与真挚情感的流露。

    youdao

  • Neo-realism shows great concern for the present reality from a civilized narrative perspective, with the objective and free narrative nature of the historical rationalism.

    新现实主义从公民化叙事角度对现实投以当下关怀，呈现出客观的自在自为的历史理性主义的叙事品格；

    youdao

  • The main features: to wit and thrilling combination of traditional style. 3, Italian neo-realism comedy.

    主要特点：以智慧和刺激相结合的传统风格。3，意大利新现实主义的喜剧。

    youdao

更多双语例句

  • His supernatural bursts of light as a tool of revelation not only inspired generations of later painters, but in the 20th century have an indelible mark on cinema, from Italian neo-realism to today.

    ECONOMIST: Caravaggio

  • In 1962, the Italian director Pier Paolo Pasolini, whose first films were latter-day variants on neo-realism, took a flying leap into hectic modernity with this short, apocalyptic screed against the habits of professional filmmaking and the un-Christian coldness of contemporary Christendom.

    NEWYORKER: La Ricotta

  • Shot predominantly in black and white, with spot colour for a Jewish child's red coat the film's unique identifying mark it recalls the tradition of post-war Italian neo-realism and the even older photographs of Roman Vishniac of Jewish life in Poland before the Nazis.

    ECONOMIST: A new roll for film

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