I was very interested in relating the stage aesthetic to the music and lyrics in a theatrical way, whilst paying a lot of attention to rhythm and dynamics.
我对灯光与音乐和歌曲的戏剧性联接方式很感兴趣，也非常注意灯光的节奏与力度。
As a composing element of music, dynamics also has emotional meaning.
力度作为构成音乐要素之一，也是有表情意义。
From 1945 experimental music focused even more on the sounds in themselves and the treatment of durations, dynamics, rests, and colors.
自1945年起，实验性的音乐更加注重声音本身以及时值、力度、休止和音色的处理。
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