Mode and tonality 调式调性
The second chapter is mainly the description and research on how the uses the multivoice technique in his music, which include five sections of chord structure harmony motion mode tonality musical form , characters of rhythms and statement in words.
本文的第二章是全文的主体部分，即详细论述萨蒂钢琴作品中对多声技法的运用。 此章分别从和弦构成、和声进行、调式调性、曲式结构，以及节奏特色与文字说明五个方面对萨蒂钢琴作品多声技法的运用进行分析与研究。
参考来源 - 埃里克·萨蒂钢琴作品多声技法研究·2,447,543篇论文数据，部分数据来源于NoteExpress
The article is based on his vocals, analysing and researching their harmonic technique and style from the aspects of the chord structure, the harmonic progression, the mode and tonality etc.
本文以他的声乐作品为研究对象，从和弦结构、和声进行、调式调性等侧面来分析、研究其和声技法与风格特点。
This chapter reflects the inheritance of Tchaikovsky's harmony language from these aspects including chord material, harmony progression, mode and tonality of the work.
主要从和弦材料、和声进行、调式调性三个方面体现出柴科夫斯基和声语言中继承性的一面。
I analyse and demonstrate them from four aspects: the mode, the thought of tonality, the composing rules of harmony and the way of harmony.
在和声的功能结构方面，从调式、调性思维，和弦的构成原则以及和声的进行方式这四个角度进行分析论证。
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