后来,所谓的中期喜剧(Middle Comedy)放弃了个人的面具,但是还在继续对个人发起大规模的进攻,就像流传下来的雅典尼乌斯(Athenaeus)的戏剧残篇中所显示的那样。
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But as to the middle comedy which came next, observe what it was, and again, for what object the new comedy was introduced, which gradually sunk down into a mere mimic artifice.
至于随后出现的中间时代的喜剧,观察它是什么,再看这一新的喜剧是因什么目的被引进的,它渐渐地流为一种仅仅插科打诨的技巧。
Cos comedy doesn't come into that, nobody ever says the middle classes are instinctively funny or anything like that.
因为喜剧不是从这些地方获得的,没有人说过中产阶级天生滑稽或类似的事情。
In Hollywood, the romantic comedy is well into humdrum middle age. But in China, the genre is still in its honeymoon phase.
在好莱坞,浪漫喜剧早已进入波澜不惊的中年时期。但是在中国,这类影片仍旧处于蜜月期。
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