The thesis illustrates that Thomas’s innovative distortions of language and Mandelstam’s“creative cognition”are powerful means to achieve infinite originality of words, therefore bringing the reader into a heightened, more intimate possession of existence.
作者揭示:托马斯别出心裁地扭曲、变异语言及曼德尔施塔姆的“创造性认知”是实现词语无穷新奇的有力手段,焕然一新的词语使读者得以从更高层面密切地把握存在。
参考来源 - 给词语加冕—狄兰·托马斯与奥西普·曼德尔施塔姆诗学对比研究·2,447,543篇论文数据，部分数据来源于NoteExpress
The chapter ends with the author's claim to originality, based on his survey of Thomas-Mandelstam criticism.
在这一章的最后，作者基于其对托马斯·曼德尔斯塔姆批判性的调查，提出了对原创性的主张。
The chapter ends with the author's claim to originality, based on his survey of worldwide Thomas-Mandelstam criticism, and an indication of the theories used in the thesis.
引言部分还分别介绍了两位诗人的生平、文学生涯及主要文学成就，并给出世界范围内两位诗人的文献批评综述。
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