Though it has no shortage of devotees, most people are still morecomfortablelooking at paintings with a subject, just as they prefer novels and plays with complicated plots and four-movement symphonies with familiar harmonies, and my guess is that they probably always will.
However, the episodic script and some rather pedestrian direction by David Veloz end up leaving you a lot morecomfortable with what you're looking at than common sense would suggest you should be.