Torrey says it was no small feat composing shots of the ruins without any tourists in the frame, but even more difficult was chasing the ever-changing angles of natural light.
VOA: standard.2009.12.15
In "Jules and Jim, " Raoul Coutard's camera permits light to flood into the frame, which endows each composition with depth and space as well as imparting an extraordinary sense of naturalism to the scenes in the Alsatian countryside.
Similarly, the full-frame sensor enabled low-light captures that would have yielded a fair amount of noise if shot on the RX100, and much of the time, I did appreciate having such a shallow depth of field at my disposal.