As with traditional animation, if the economics are right, CG seems a good fit for larger-than-life stories: comic book adaptations, sci-fi, horror and myth.
Celebrity chef Gordon Ramsay has spoken publicly about not attending the birth of his four children, claiming that he thought his sex life "would be damaged by images like something out of a sci-fi movie - skinned rabbits and conger eels coming at me from everywhere".
Why do Jack's fugitive recollections of another life prompt her to insist that "our job is not to remember"? (Sci-fi devotees will get her drift all too soon.) Why, for that matter, is she so svelte, and why is there so little sexual excitement between Victoria and Jack?