这与西蒙·夏玛(Simon Schama)在其1995年的书《景观与记忆》(Landscape and Memory)里所讨论的内容有异曲同工之妙。在该书中他写道：
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公共艺术空间和社会景观 art public space and social landscape 景观和记忆 landscape and memory 社会空间和行动. 理论和实习 social spaces and actions.
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...引发了莫佛肯对于风景主题的兴趣，这使他深入而完成《创伤风景》（Trauma Landscapes）和《风景与记忆》（Landscape and Memory）摄影计画。
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So Landscape and memory is constructed as an excavation below our conventional sight-level to recover the veins of myth and memory that lie beneath the surface.
因此，《风景与记忆》就是要开掘我们的传统视界，重新发现隐藏于表面下的神话和记忆的脉络。
The framework are designed for mapping of photographs with the portrait and landscape orientation, have internal memory and panels DU.
框架设计与绘图肖像照片和景观取向，有内部事务和杜记忆。
We propose the cultural landscape design strategy, such as: arrangement inheritance, the story memory, the humanities accumulate, natural ecology, personalized facility and so on.
提出：文脉传承、故事记忆、人文积淀、自然生态和个性化设施等文化景观设计策略。
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