The pieces read quite well on their own, but Kael had lost touch with her audience.

文章读来依然迷人，但她已失去与观众的联系。

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But Kael wrote with the same spontaneity and intelligence about popular entertainment as about the films of Renoir and Antonioni.

然而不管是评论大众娱乐还是评论雷诺阿或安东尼奥尼，姬尔的文字洋溢着相同的灵感和智慧。

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A worthy appreciation of Pauline Kael has to dive right into things: for nearly forty years she was the best film critic in America.

一个配得上宝琳·姬尔的评论必须是单刀直入的：她是美国四十年间最为出色的影评家。

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In 1979, Kael left The New Yorker to work as a producer and developer in Hollywood.

NEWYORKER: What She Said

Kael was a small-time movie critic who had recently arrived from Northern California.

NEWYORKER: What She Said

Now Kael went about the business of building a structure in the rubble.

NEWYORKER: What She Said