The leap in all its forms, rushing into the divine or the eternal, surrendering to the illusions of the everyday or of the idea — all these screens hide the absurd.

所有形式的飞跃，朝着神圣或永恒之处飞奔而走，屈服于日常的幻念或观点的幻想之中——这所有的一切就用于遮挡荒谬的屏风。

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But he himself explains this contradiction, and in such a way that at the same time he reveals the absurd secret in all its purity.

但他解释了这一矛盾，同时他又以同样的方式揭示了荒谬最为纯粹的秘密。

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All those lives maintained in the rarefied air of the absurd could not persevere without some profound and constant thought to infuse its strength into them.

没有某种深邃的思想一成不变地为之输入力量，所有这些在荒谬的稀薄空气中维持的生命都无法继续。

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Above all, the movie never gets near the fault lines that give the story its tension and absurd fascination it never reconciles the meticulous intelligence needed to build the weaponry and the monstrous stupidity needed to use it.

NEWYORKER: 30 Minutes or Less