Then it goes on to exam how Guo subverted them in his practice, by“ignoring”the original form and content, and making use of intertexuality consciously in his translation.
然后指出郭在诗歌翻译实践中也颠覆了以上各组对立,表现为“无视”原诗的形式、内容,有意识地运用了互文性来翻译等。
参考来源 - 郭沫若诗歌翻译中的解构主义特征(研究生论文)·2,447,543篇论文数据,部分数据来源于NoteExpress
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