Just the ink play, absolutely not play ink, enabled ink painting of Chinese opera to become a happy land for many successors to diligently work in, and a free realm for them to exert themselves.
正是这种绝非是戏墨的墨戏，让戏曲水墨画成为后来许多画家乐于耕耘的一块乐土，成为任其自由驰骋的疆域。
The third chapter has analyzed the ink play esthetic moral character.
第三章简析了墨戏的审美品格。
The traditional Chinese painting transformation from dark green to the water ink had provided the creation direction in the certain degree for the literati ink play.
中国画由青绿向水墨的转变在一定程度上为文人墨戏提供了创作方向。
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