Rather than slapping some pithy comments between splashy artwork, Trombetta forces a confrontation with very difficult realities by connecting the molding memories of real-life atrocities to the disintegrating comic panels of 1950s horror books that have been far too easily dismissed as brainrot.
As with traditional animation, if the economics are right, CG seems a good fit for larger-than-life stories: comic book adaptations, sci-fi, horror and myth.