This thesis will explain the importance of harmonic in prelude through the analysis the structure, melody characteristics, rhythm, and non-harmonic tone of these 26 preludes.

本文将针对26首前奏曲，从对其结构形式、旋律特点、节奏、和弦外音等方面的分析入手，来进一步了解前奏曲中和声色彩的丰富性。

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Furthermore, by using tone color, key-touching, harmonic as well as pedal, the author tries to represent rich variations of this music.

作品通过音色、触键、和声、踏板的变化来表现出更加丰富的层次与音色的变化和对比。

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A salient feature in the sources of harmonic materials Zhu USES is that of twelve-tone series.

朱践耳交响曲和声材料来源最突出的特征就是对十二音序列材料的运用。

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